Behind the green door scenes

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Behind the green door scenes

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Art was the director of this one, and Jim was acting as producer. Benton was still doing sound and Fontana was still chief cameraman.

They had hired a professional lighting man. During one of the breaks in the shooting an old lady who was staying at the hotel came up to me and asked what the name of the movie was.

Other people would walk by and see the makeup girl straightening up my make-up and they would whisper to one another, trying to figure out who I was.

I was in my glory! When I got there it was like walking into a morgue. All the technicians were standing around pointing at each other and shaking their heads.

I assumed that they had already seen the rushes. I stood back out of the way and Jim came up and said that they were going to take another look at the rushes if I wanted to watch.

The film was as bad as ever. None of the film was useable. They finally solved the problem by changing the film and using the old type that both Jon Fontana the cameraman and Bucky the lighting man, were used to.

They also fired one of their production assistants rand Jim took over the directing from Art. The plot of the Behind The Green Door was basically that Marilyn was ripped off from her hotel room and taken to a private club where she was taken on stage and made to perform a sexual act with six girls, then six guys, then a solo with a black cat, then with everyone at one time, including three guys who are on trapezes.

As the action increases, the audience, numbering about fifteen, gets so turned on that they start getting it on. The whole thing turns into a giant free for for all with everyone fucking and sucking everyone else.

As soon as Marilyn walks out onto the stage I realize that I recognize her from the hotel. Knowing that this club kidnaps its victims, I wait for a chance to rescue her.

When all bedlam breaks loose I run up on the stage, scoop her up and run through the green door with her. Then there is a scene of Marilyn and I getting it on.

After several weeks of shooting the preliminaries, we had to break for a week while Jim and Art were in court over Reckless Claudia.

When there was finally a break in the trial, they assembled everyone in the cast and got ready for the big scene.

On the morning of the big scene, we all had to show up at A. Even though there were more than thirty people in the scene they somehow managed to get everyone made up and in costume in only a couple of hours.

Stage A had been turned into a fancy club with huge hanging drapes, Persian carpets and large overstuffed couches facing a stage.

Above the stage were three trapezes and at the back was the ominous Green Door. Since this particular scene was the meat of the Behind The Green Door and certainly the most complicated in terms of numbers of people and action involved, they shot most of the hard-core stage action with Marilyn the week before.

Today they were going to run through the scenes where Marilyn is first brought out on stage. Then the scene where she is made love to by the six women and the scene where she is made love to by everyone at one time the audience excluded.

Since it was such a freak scene, there probably should have been a closed set. But there were almost as many spectators as there were participants.

We all got into our positions and Jim gave us a brief run down on what he wanted. The scene with Marilyn and the six girls went quickly. This was the warm-up act for the headliner, Johnny Keyes.

In this scene, the six girls were holding Marilyn down on a big pillow in the middle of the stage with a big spotlight centered on her.

The house lights went down and the spotlight moved back to the green door. It opened and out stepped Johnny Keyes. Johnny is a black cat. He had been in Hair and a few other stage plays, but this was his first porno.

We all waited for a few minutes then Kandi came running out and got back into her position. It certainly looked more impressive than before.

Johnny walked slowly around and faced Marilyn, then went right down and started giving her head. After a few minutes of this, they cut while one of the chicks got him hard again for the insertion.

Pretty heavy. I mean to have to stand there while the spotlight is on you and fifty people watch while you try to get it up.

From there he put on an all-time great performance in the missionary position… so good in fact that when it was over I stood up and gave him a standing ovation.

We took another break they got ready for the next scene which was the mondo bizarro of all sex scenes, From the ceiling they dropped down three trapezes.

They brought out five more guys, put three on the trapeze which forms sort of square around Marilyn, put one more underneath her, and put another in there just copping feels.

Along with that they put the six girls around her. Marilyn was sitting upright on top of one guy with his dick in her, one cat and six other chicks caressing and licking her, jacking off the two guys on the trapezes on either side of her, and sucking off the guy in the middle.

Just keeping one guy up can be a problem in this case it would have been a nightmare. While all of this action was taking place on stage, Jim walked through the audience and told everyone to start masturbating.

I copped out by pulling my shirttail out and covering my lap, sticking my hand underneath, and paying no attention to anyone else. Since I was supposedly one of the stars, I got two girls, I was laying down on the floor with one girl going down on me and another sitting on my face.

I want you to push these two chicks off, pull on your pants, run up and grab Marilyn and take her out the door.

I can kick back and watch everyone else this time. After we ran through the scene again, Marilyn and I walked back into the shadows and watched everyone else watch everyone getting it on.

The most notable performance of the day was put in by Johnny Keyes, who, before the day was over, had gotten it on with five different chicks.

At one point, I saw him up on stage fucking one chick from behind dog style while she was going down on another chick.

That cat certainly had a lot of endurance. The morning that Marilyn and I were finally going to do our solo scene, I knew that she had already been through a lot and so I tried my best to remain mellow and at the same time to mellow her out.

I was still going into each sexual scene with a lot of hangups, but I felt that since this one might be the last that I would try to be in control.

I figured if I could control my own neurosis then perhaps Marilyn and I would be able to just get into it and enjoy it.

They wanted to shoot our scene and then put special effects behind it, which meant that we both had to be made up from head to foot. Every square inch of our bodies is going to be covered with makeup.

They were also going to shoot us against a black back drop. With all that makeup, I knew it was going to be a bummer. So you have to constantly have your makeup touched up.

When it came time to start the action, Marilyn and I were really into each other so it started off really well.

The mood of everyone involved was very professional. We just did the scenes and there was no bullshit. The crew and I threw one liners at each other, but this time we laughed because they were just good natured jabs, whereas before I used to get uptight.

The only problem was that Marilyn kept complaining that she was getting sore… I guess after what she had been through prior to this.

So we took a Vaseline break. About all you can do is laugh and hug your partner a little tighter. I guess I had become to hung up over it by that time.

So, we just faked it and then it was over. We went upstairs to the shower, locked the door, turned on the water and proceeded to finish what we had started downstairs… It was really far out because I had worked with girls that soon as the director said cut they were already in their pants with their hand out for the check.

For the premiere, the Mitchell Brothers threw a large party at the theatre. There were about four hundred people jammed into the lobby of the theatre including the cast, their friends, the press, and radio and television people.

I went with my roommate Smokey, who ate a bunch of clear-lite acid before we left, Fat Larry the lawyer, and my girlfriend at the time, Gunilla, a blond nursing student from Sweden.

The film was late arriving from the lab where they had been putting the last minute touches on the sound track. By the time the film finally arrived everyone was thoroughly wasted on champagne and joints of marijuana wrapped in green papers that were passed out to the crowd.

Smokey and Larry were down on their hands and knees asking people to move so they could find something they had dropped on the floor.

I asked them what they were looking for and Smokey said he thought he had dropped a joint on the floor.

Even when a pretty San Francisco socialite came over to me and asked if I would sit with her. I had to turn her down. I sat alone in the bobby while the movie played.

I wanted to leave but at the same time I wanted to hear what my friends thought of the film. From the noise and reaction inside the theatre I could tell that the people were digging the film.

The reason that the press and the audience had a little trouble understanding the plot was that Vince, the projectionist, was in such a hurry to get the film on the screen that he spliced the last reel into the middle and the middle reel onto the end.

I was changed from a junior ad-man to a truck driver. The result was the best of two beginnings, none of which was explained to the audience.

I had about two lines, Johnny had no lines, and Marilyn, the star of the film, had no lines. Well at least the photography was pretty.

The next day I went back to the theatre to see the film when there were less people around that I knew, or knew me.

The film had only played for a few minutes when I felt myself getting sick. I excused myself, went outside to the fresh air, got in my car and split.

I guess I was disappointed. I knew that Green Door would be my last film and I guess I wanted it to be perfect.

At its peak I was being recognized two and three times a day on the street. I guess I changed my attitude about the film when I realized that it had accomplished what they had set out to do… that is, to make a film that would attract people who had never been to a porny before.

The two percent residual that I had laughed at in the beginning was almost my sole means of support during the year that I worked on this book.

George McDonald, back at the scene of the crime , with April Hall. Love it! The film features several multicolored, optically printed , slow-motion close-ups of money shots.

The narrator then runs from the audience onto the stage and carries Gloria off through the green door. Several years after Andy Warhol 's seminal Blue Movie in , and along with Deep Throat , also released in , Behind the Green Door helped launch the " Golden Age of Porn " — , [2] and somewhat later, the " porno chic " boom.

It was the one of the biggest box office pornographic successes of the s, alongside Deep Throat and The Devil in Miss Jones.

Chambers was relatively unknown at the time; however, the film made her a star. That Chambers's image was so well known from Ivory Snow boosted the film's ticket sales, and led to several jokes on television talk shows.

Upon its release, the film received positive reviews in mainstream media. The Supreme Court's Miller v. California decision adversely affected the mainstream release of porn films, including Behind the Green Door.

Miller continued to hold that obscenity was not protected by the First Amendment , which gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards.

The movie featured no famous performers, and starred an Elisa Florez who billed herself as Missy Manners.

Florez was Artie Mitchell's girlfriend at the time, and she reportedly demanded the role from him. It was the first "safe sex"-themed porn film, and was produced as a response to the s AIDS outbreak in San Francisco.

But Behind the Green Door: the Sequel was a critical and commercial disaster, and the Mitchells lost hundreds of thousands of dollars.

The updated film stars Brooklyn Lee as the main character Hope, a wealthy young woman drawn into a seedy underworld while on an erotic journey to find her birth mother.

The movie also includes footage of the original Behind the Green Door as Hope describes a sexual fantasy that recalls the plot of the film. From Wikipedia, the free encyclopedia.

Marilyn Chambers. Release date. Running time. Worldwide Box Office. Retrieved January 21, Striptease: the untold history of the girlie show. Oxford University Press.

Film genre: Hollywood and beyond. Edinburgh University Press. The history of sex in American film. Greenwood Publishing Group.

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